{"id":1557,"date":"2023-11-10T14:37:55","date_gmt":"2023-11-10T05:37:55","guid":{"rendered":"https:\/\/www.fujisawa-ukiyoekan.net\/f\/?page_id=1557"},"modified":"2026-02-25T13:49:43","modified_gmt":"2026-02-25T04:49:43","slug":"collections-5-fr","status":"publish","type":"page","link":"https:\/\/fujisawa-ukiyoekan.net\/f\/collections-5-fr\/","title":{"rendered":"\u5c55\u793a\u5185\u5bb9\u7d39\u4ecb\u3000\u559c\u658e\u7acb\u7965 \u4e8c\u4ee3\u5e83\u91cd\u3068\u547c\u3070\u308c\u305f\u7d75\u5e2b (\u30d5\u30e9\u30f3\u30b9\u8a9e)"},"content":{"rendered":"<section id=\"top\" class=\"bc-section\">\n<div class=\"container\">\n<ol class=\"breadcrumb\">\n<li><a href=\"\/f\/home-fr\">HOME<\/a><\/li>\n<li class=\"active\">Pr\u00e9sentation de l&#8217;exposition<\/li>\n<\/ol>\n<\/div>\n<\/section>\n<section id=\"txt\" class=\"home-section\">\n<div class=\"container\">\n<div class=\"row\">\n<div class=\"txtArea\">\n<h3>Kisai Rissh\u014d, peintre connu sous le nom de Hiroshige II.<\/h3>\n<h4>Pr\u00e9sentation de l&#8217;exposition<\/h4>\n<div class=\"txtBox\">\n<p>Voici une s\u00e9lection d&#8217;estampes ukiyo-e r\u00e9alis\u00e9es par Shigenobu, dit Hiroshige II, un disciple de  Utagawa Hiroshige Ier. Hiroshige II a \u00e9t\u00e9 particuli\u00e8rement actif de la fin de la p\u00e9riode Edo jusqu&#8217;\u00e0 la p\u00e9riode Meiji, et dans ses derni\u00e8res ann\u00e9es, il a pris le nom de Kisai Rissh\u014d. Bien qu&#8217;il ait h\u00e9rit\u00e9 du style de son pr\u00e9d\u00e9cesseur, il avait son propre style d&#8217;expression unique, et les sujets de ses peintures se sont diversifi\u00e9s au cours de la p\u00e9riode Rissh\u014d. L&#8217;un des meilleurs exemples est le \u00ab T\u014dkaid\u014d goj\u016bsan-tsugi Fujisawa \u00bb, qui repr\u00e9sente une halte \u00e0 Yotsuya, \u00e0 proximit\u00e9 du mus\u00e9e d\u2019estampes ukiyo-e. L&#8217;exposition aborde \u00e9galement le clan Hiroshige, qui a cr\u00e9\u00e9 une tendance majeure dans les estampes de paysage de style ukiyo-e, ainsi que les p\u00e9riodes de turbulence et les changements dans la peinture de paysage.<\/p>\n<\/div>\n<div class=\"itemArea\">\n<div class=\"itemBox muchigh col-xs-12 col-sm-4 col-md-3\">\n<h5>Coin de s\u00e9rie \u00ab Les Cinquante-trois Relais du T\u014dkaid\u014d \u00bb<\/h5>\n<p class=\"imgbox\"><img decoding=\"async\" src=\"\/f\/wp-content\/themes\/ukiyoe\/images\/collections\/F7iQs9lg_VL017_r01.jpg\" border=\"0\" alt=\"\"><\/p>\n<p>Fujisawa, s\u00e9rie \u00ab Les Cinquante-trois Relais du T\u014dkaid\u014d \u00bb (\u00e9dition Hoeid\u014d)<\/p>\n<\/div>\n<div class=\"itemBox muchigh col-xs-12 col-sm-4 col-md-3\" style=\"height: 327px;\">\n<h5>Coin de l&#8217;auberge Fujisawa<\/h5>\n<p class=\"imgbox\"><img decoding=\"async\" src=\"\/f\/wp-content\/themes\/ukiyoe\/images\/collections\/iZcRcHLh_VL018_r01.jpg\" border=\"0\" alt=\"\"><\/p>\n<p>Hakone hot spring, from the series \u201cToukaidou\u201d<\/p>\n<\/div>\n<div class=\"itemBox muchigh col-xs-12 col-sm-4 col-md-3\" style=\"height: 327px;\">\n<h5>Coin Enoshima<\/h5>\n<p class=\"imgbox\"><img decoding=\"async\" src=\"\/f\/wp-content\/themes\/ukiyoe\/images\/collections\/Ic36Vr90_VL019_r01.jpg\" border=\"0\" alt=\"\"><\/p>\n<p>The Pilgrimage to Enoshima Island of Sagami Province: A Landscape of Shichiri-ga-hama Beach of Kamakura<\/p>\n<\/div>\n<div class=\"itemBox muchigh col-xs-12 col-sm-4 col-md-3\" style=\"height: 327px;\">\n<h5>Coin des expositions sp\u00e9ciales<\/h5>\n<p class=\"imgbox\"><img decoding=\"async\" src=\"\/f\/wp-content\/themes\/ukiyoe\/images\/collections\/9UzNl91w_VL020_r01.jpg\" border=\"0\" alt=\"\"><\/p>\n<p>Fujisawa: Fifty-three Stations of the Toukaidou Highway<\/p>\n<\/div>\n<\/div>\n<p><a href=\"\/f\/archive-fr\"><button type=\"button\" class=\"btnnex\">The Exhibition Archive<\/button><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>HOME Pr\u00e9sentation de l&#8217;exposition Kisai Rissh\u014d, peintre connu sous le nom de Hiroshige II. Pr\u00e9sentation  [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fr.php","meta":{"footnotes":""},"class_list":["post-1557","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/pages\/1557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/comments?post=1557"}],"version-history":[{"count":4,"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/pages\/1557\/revisions"}],"predecessor-version":[{"id":4126,"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/pages\/1557\/revisions\/4126"}],"wp:attachment":[{"href":"https:\/\/fujisawa-ukiyoekan.net\/f\/wp-json\/wp\/v2\/media?parent=1557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}